Poetry Sunday: The Girl with Bees in Her Hair

The Girl with Bees in Her Hair

BY ELEANOR WILNER

came in an envelope with no return address;
she was small, wore wrinkled dress of figured
cotton, full from neck to ankles, with a button
of bone at the throat, a collar of torn lace.
She was standing before a monumental house—
on the scale you see in certain English films:
urns, curved drives, stone lions, and an entrance far
too vast for any home. She was not of that place,
for she had a foreign look, and tangled black hair,
and an ikon, heavy and strange, dangling from
an oversized chain around her neck, that looked
as if some tall adult had taken it from his,
and hung it there as a charm to keep her safe
from a world of infinite harm that soon
would take him far from her, and leave her
standing, as she stood now—barefoot, gazing
without expression into distance, away
from the grandeur of that house, its gravel
walk and sculpted gardens. She carried a basket
full of flames, but whether fire or flowers
with crimson petals shading toward a central gold,
was hard to say—though certainly, it burned,
and the light within it had nowhere else
to go, and so fed on itself, intensified its red
and burning glow, the only color in the scene.
The rest was done in grays, light and shadow
as they played along her dress, across her face,
and through her midnight hair, lively with bees.
At first they seemed just errant bits of shade,
until the humming grew too loud to be denied
as the bees flew in and out, as if choreographed
in a country dance between the fields of sun
and the black tangle of her hair.
Without warning
a window on one of the upper floors flew open—
wind had caught the casement, a silken length
of curtain filled like a billowing sail—the bees
began to stream out from her hair, straight
to the single opening in the high façade. Inside,
a moment later—the sound of screams.

The girl—who had through all of this seemed
unconcerned and blank—all at once looked up.
She shook her head, her mane of hair freed
of its burden of bees, and walked away,
out of the picture frame, far beyond
the confines of the envelope that brought her
image here—here, where the days grow longer
now, the air begins to warm, dread grows to
fear among us, and the bees swarm.

Poetry Sunday: If You Knew

If You Knew

BY ELLEN BASS

What if you knew you’d be the last
to touch someone?
If you were taking tickets, for example,
at the theater, tearing them,
giving back the ragged stubs,
you might take care to touch that palm,
brush your fingertips
along the life line’s crease.

When a man pulls his wheeled suitcase
too slowly through the airport, when
the car in front of me doesn’t signal,
when the clerk at the pharmacy
won’t say Thank you, I don’t remember
they’re going to die.

A friend told me she’d been with her aunt.
They’d just had lunch and the waiter,
a young gay man with plum black eyes,
joked as he served the coffee, kissed
her aunt’s powdered cheek when they left.
Then they walked a half a block and her aunt
dropped dead on the sidewalk.

How close does the dragon’s spume
have to come? How wide does the crack
in heaven have to split?
What would people look like
if we could see them as they are,
soaked in honey, stung and swollen,
reckless, pinned against time?

Hand-Forged Top-Bar Hive Tools: They’re pretty, they feel good, and they do the job

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If you want one, I can make one for you

I use these top-bar hive tools a lot at this time of year. They’re terrific for reaching deep into the hive to gently detach brace comb the bees have attached to the side walls.

I’ve hammered the curve in the handles flat in order to pry apart those propolized bars.

I think they’re pretty! I like it when a tool is not only functional but is pretty and feels good in the hand.

I’m hand forging these myself, and I have a few for sale…no two alike. If you’d like one for yourself, contact me for images and pricing (liz@two-honeys.com).

Soon we’ll have the Products section of the website working…which means you won’t need to contact me via email to place your order. It’s a process though, Reader, and right now I’m still deep in bees.

Poetry Sunday: Carrefour

Carrefour

BY AMY LOWELL

O You,
Who came upon me once
Stretched under apple-trees just after bathing,
Why did you not strangle me before speaking
Rather than fill me with the wild white honey of your words
And then leave me to the mercy
Of the forest bees.

No Worries: If I Mess it up, I’ll also Fix it

Top bar hive with slipping top bars

I’m still paying the price for a choice I made in preparation for spring…I thought I’d found a terrific and inexpensive material from which to build this year’s top-bar hives.

I built about 10 hive bodies from rough-cut cedar fencing…the cedar fencing isn’t too expensive, and I love the way it looks and feels. I thought it was perfect for the bees.

Immediately, however, once we all installed our bees in the newly-built hive boxes, we discovered the first problem with the cedar fencing: It’s very light…which makes it good when it comes to handling the hive boxes, but bad when the wind picks up. So, when the winds blew and before the bees had built enough comb to give the hive weight, the hives toppled over. Toppled hives all over town. Not good for bees. Not good for the beekeeper’s psyche, either.

Later in the season, when the bees increased in number and after they’d built comb and stored brood and honey, another problem raised its ugly head: The top board of cedar siding began to bow under the weight of bee life. This creates two unwanted situations:

  1. It created a gap between the bottom and the top side boards…and the bees quickly begin using this gap as an entrance. And, for reasons I’ll explain in another post, we want the bees to use an entrance at the end of the hive bodies…not in the middle (this relates to the location of honey when the bees cluster over winter…see why I’m not going into it now?!).
  2. When the sides of the hive bow outward, the bars that rest on the top board slip into the hive.
  3. Which means the honeycomb rests and melts on the bottom of the hive box.
  4. Bees never intentionally attach comb at the bottom…they use that space for travel (and other things).
  5. And when the comb melts to the bottom of the hive, the beekeeper has to rip it apart to remove and inspect it. Not good

Therefore, this situation must be rectified.

I’ve figured out a solution to the problem, but it requires visiting each of the affected hives and, hive by hive, replacing the flimsier cedar siding with more substantial cedar. I’ve learned to perform this operation on the spot (though it does require moving the bees temporarily into another hive body).

At first, I was kicking myself for having to go around and repair all those hive bodies when I thought I had other, more-pressing business to do. But now I simply see it as the price to pay for becoming more aware. It’s also a terrific opportunity to see the bees with my customers and my friends.

And it’s good to do whatever is required to make something right…so people know that if I make a mistake, I’ll fix it.

Poetry Sunday: Rapture

Rapture

BY RICHARD JONES

In the desert, a traveler
returning to his family
is surprised
by a wild beast.

To save himself
from the fierce animal,
he leaps into a deep well
empty of water.

But at the bottom
is a dragon, waiting
with open mouth
to devour him.

The unhappy man,
not daring to go out
lest he should be
the prey of the beast,

not daring to jump
to the bottom
lest he should be
devoured by the dragon,

clings to the branch
of a bush growing
in the cracks of the well.
Hanging upon the bough,

he feels his hands
weaken, yet still
he clings, afraid
of his certain fate.

Then he sees two mice,
one white, the other black,
moving about the bush,
gnawing the roots.

The traveler sees this
and knows that he must
inevitably perish, that he will
never see his sons again.

But while thus hanging
he looks about and sees
on the leaves of the bush
some drops of honey.

These leaves
he reaches with his tongue
and licks the honey off,
with rapture.

Don’t Click on this Link Unless You Want to Salivate

Reader, it’s harvest time. And let me simply introduce you to two first harvests. I’ll let the images speak for themselves. No more from me about how wonderful this is. No word from me about toasted medallions of french bread spread with butter and warm, fresh, local honey. I don’t want you writhing in envy.

Nicola's first harvest from Hive Gobnait
Heidi and Anne and their first honey harvest

Of course, if you want this experience for yourself, call me. I’ll get you set up.

The Honeycomb-with-a-Drop-of-Honey T-shirt

Reader, the newest installment of the TwoHoneys t-shirt is now available for purchase: $15 for a handoff exchange; $20 if we need to mail it.

You, too, can wear your very own glorious 2012 rendition (designed by the wonderfully taletented Nicola Mason) by contacting me (liz@two-honeys.com). Tell me if you prefer your design on the front or on the back and tell me your size. I wear a medium. I can also wear a large if I shrink it just a smidgin.

See how this shirt makes your shoulders and your back look friendly and strong and your waist look slim? Perfect.

TwoHoneys t-shirt