Poetry Sunday: The Monks of St. John's File in for Prayer

The Monks of St. John’s File in for Prayer

BY KILIAN MCDONNELL

In we shuffle, hooded amplitudes,
scapulared brooms, a stray earring, skin-heads
and flowing locks, blind in one eye,
hooked-nosed, handsome as a prince
(and knows it), a five-thumbed organist,
an acolyte who sings in quarter tones,
one slightly swollen keeper of the bees,
the carpenter minus a finger here and there,
our pre-senile writing deathless verse,
a stranded sailor, a Cassian scholar,
the artist suffering the visually
illiterate and indignities unnamed,
two determined liturgists. In a word,
eager purity and weary virtue.
Last of all, the Lord Abbot, early old
(shepherding the saints is like herding cats).
These chariots and steeds of Israel
make a black progress into church.
A rumble of monks bows low and offers praise
to the High God of Gods who is faithful forever.

Poetry Sunday: What to Do the First Morning the Sun Comes Back

What to Do the First Morning the Sun Comes Back

BY ROSEANN LLOYD

Find a clean cloth for the kitchen table, the red and blue one
you made that cold winter in Montana. Spread out
your paper and books. Tune the radio to the jazz station.
Look at the bright orange safflowers you found last August—
how well they’ve held their color next to the black-spotted cat.

Make some egg coffee, in honor of all the people
above the Arctic Circle. Give thanks to the Sufis,
who figured out how to brew coffee
from the dark, bitter beans. Remark
on the joyfulness of your dishes: black and yellow stars.

Reminisce with your lover about the history of this kitchen
where, between bites of cashew stir fry,
you first kissed each other on the mouth. Now that you’re hungry,
toast some leftover cornbread, spread it with real butter,
honey from bees that fed on basswood blossoms.

The window is frosted over, but the sun’s casting an eye
over all the books. Open your Spanish book.
The season for sleeping is over.
The pots and pans: quiet now, let them be.

It will be a short day.
Sit in the kitchen as long as you can, reading and writing.
At sundown, rub a smidgen of butter
on the western windowsill
to ask the sun:
Come back again tomorrow.

Poetry Sunday: Two Old Crows

Two Old Crows

BY VACHEL LINDSAY

Two old crows sat on a fence rail.
Two old crows sat on a fence rail,
Thinking of effect and cause,
Of weeds and flowers,
And nature’s laws.
One of them muttered, one of them stuttered,
One of them stuttered, one of them muttered.
Each of them thought far more than he uttered.
One crow asked the other crow a riddle.
One crow asked the other crow a riddle:
The muttering crow
Asked the stuttering crow,
“Why does a bee have a sword to his fiddle?
Why does a bee have a sword to his fiddle?”
“Bee-cause,” said the other crow,
“Bee-cause,
B B B B B B B B B B B B B B B B-cause.”

Just then a bee flew close to their rail:
“Buzzzzzzzzzzzzzzzzzz             zzzzzzzzz             zzzzzzzzzzzzzzz ZZZZZZZZ.”
And those two black crows
Turned pale,
And away those crows did sail.
Why?
B B B B B B B B B B B B B B B-cause.
B B B B B B B B B B B B B B B-cause.
“Buzzzzzzzzzzzzzzzzzz             zzzzzzzzz             zzzzzzzzzzzzzzz ZZZZZZZZ.”

Poetry Sunday: The Last Days of Summer Before the First Frost

The Last Days of Summer Before the First Frost

BY TIM BOWLING

Here at the wolf’s throat, at the egress of the howl,
all along the avenue of deer-blink and salmon-kick
where the spider lets its microphone down
into the cave of the blackberry bush—earth echo,
absence of the human voice—wait here
with a bee on your wrist and a fly on your cheek,
the tiny sun and tiny eclipse.
It is time to be grateful for the breath
of what you could crush without thought,
a moth, a child’s love, your own life.
There might never be another chance.
How did you find me, the astonished mother says
to her four-year-old boy who’d disappeared
in the crowds at the music festival.
I followed my heart, he shrugs,
so matter-of-fact you might not see
behind his words
(o hover and feed, but not too long)

the bee trails turning to ice as they’re flown.

Poetry Sunday: First Thanksgiving

First Thanksgiving

BY SHARON OLDS

When she comes back, from college, I will see
the skin of her upper arms, cool,
matte, glossy. She will hug me, my old
soupy chest against her breasts,
I will smell her hair! She will sleep in this apartment,
her sleep like an untamed, good object,
like a soul in a body. She came into my life the
second great arrival, after him, fresh
from the other world—which lay, from within him,
within me, Those nights, I fed her to sleep,
week after week, the moon rising,
and setting, and waxing—whirling, over the months,
in a slow blur, around our planet.
Now she doesn’t need love like that, she has
had it. She will walk in glowing, we will talk,
and then, when she’s fast asleep, I’ll exult
to have her in that room again,
behind that door! As a child, I caught
bees, by the wings, and held them, some seconds,
looked into their wild faces,
listened to them sing, then tossed them back
into the air—I remember the moment the
arc of my toss swerved, and they entered
the corrected curve of their departure.

Poetry Sunday: "Was you ever bit by a dead bee?"

“Was you ever bit by a dead bee?”

BY HAILEY LEITHAUSER

I was, I was—by its posthumous chomp,
that I was, by the posthumous chomp
of an expired wire, you’ll bellow out prompt
at the pitiless shiv when she does what she does.
Was you? I was. By its posthumous chomp,
by its bad dab of venom, its joy-buzzer buzz.

 

 

 

Poetry Sunday: A Song on the End of the World

A Song on the End of the World

BY CZESLAW MILOSZ

TRANSLATED BY ANTHONY MILOSZ

On the day the world ends
A bee circles a clover,
A fisherman mends a glimmering net.
Happy porpoises jump in the sea,
By the rainspout young sparrows are playing
And the snake is gold-skinned as it should always be.
On the day the world ends
Women walk through the fields under their umbrellas,
A drunkard grows sleepy at the edge of a lawn,
Vegetable peddlers shout in the street
And a yellow-sailed boat comes nearer the island,
The voice of a violin lasts in the air
And leads into a starry night.
And those who expected lightning and thunder
Are disappointed.
And those who expected signs and archangels’ trumps
Do not believe it is happening now.
As long as the sun and the moon are above,
As long as the bumblebee visits a rose,
As long as rosy infants are born
No one believes it is happening now.
Only a white-haired old man, who would be a prophet
Yet is not a prophet, for he’s much too busy,
Repeats while he binds his tomatoes:
There will be no other end of the world,
There will be no other end of the world.

Warsaw, 1944

Poetry Sunday: Equinox

Equinox

BY ELIZABETH ALEXANDER

Now is the time of year when bees are wild
and eccentric. They fly fast and in cramped
loop-de-loops, dive-bomb clusters of conversants
in the bright, late-September out-of-doors.
I have found their dried husks in my clothes.
They are dervishes because they are dying,
one last sting, a warm place to squeeze
a drop of venom or of honey.
After the stroke we thought would be her last
my grandmother came back, reared back and slapped
a nurse across the face. Then she stood up,
walked outside, and lay down in the snow.
Two years later there is no other way
to say, we are waiting. She is silent, light
as an empty hive, and she is breathing.

Poetry Sunday: Intimate Detail

Intimate Detail

BY Heid E. Erdrich

Late summer, late afternoon, my work
interrupted by bees who claim my tea,
even my pen looks flower-good to them.
I warn a delivery man that my bees,
who all summer have been tame as cows,
now grow frantic, aggressive, difficult to shoo
from the house. I blame the second blooms
come out in hot colors, defiant vibrancy—
unexpected from cottage cosmos, nicotianna,
and bean vine. But those bees know, I’m told
by the interested delivery man, they have only
so many days to go. He sighs at sweetness untasted.

Still warm in the day, we inspect the bees.
This kind stranger knows them in intimate detail.
He can name the ones I think of as shopping ladies.
Their fur coats ruffed up, yellow packages tucked
beneath their wings, so weighted with their finds
they ascend in slow circles, sometimes drop, while
other bees whirl madly, dance the blossoms, ravish
broadly so the whole bed bends and bounces alive.

He asks if I have kids, I say not yet. He has five,
all boys. He calls the honeybees his girls although
he tells me they’re ungendered workers
who never produce offspring. Some hour drops,
the bees shut off. In the long, cool slant of sun,
spent flowers fold into cups. He asks me if I’ve ever
seen a Solitary Bee where it sleeps. I say I’ve not.
The nearest bud’s a long-throated peach hollyhock.
He cradles it in his palm, holds it up so I spy
the intimacy of the sleeping bee. Little life safe in a petal,
little girl, your few furious buzzings as you stir
stay with me all winter, remind me of my work undone.

"Last Night as I Was Sleeping"

Last Night As I Was Sleeping

BY ANTONIO MACHADO
TRANSLATED BY ROBERT BLY

Last night as I was sleeping,
I dreamt—marvelous error!—
that a spring was breaking
out in my heart.
I said: Along which secret aqueduct,
Oh water, are you coming to me,
water of a new life
that I have never drunk?

Last night as I was sleeping,
I dreamt—marvelous error!—
that I had a beehive
here inside my heart.
And the golden bees
were making white combs
and sweet honey
from my old failures.

Last night as I was sleeping,
I dreamt—marvelous error!—
that a fiery sun was giving
light inside my heart.
It was fiery because I felt
warmth as from a hearth,
and sun because it gave light
and brought tears to my eyes.

Last night as I slept,
I dreamt—marvelous error!—
that it was God I had
here inside my heart.